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The Sugar Fields

by Joshua Path

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1.
Oh, I’ve been trying to leave the city But every time I try to leave, I get stuck Sergeant Pepper says it’s gonna get better Colonel Parker says I’m shit out of luck. All I know is there’s a big blue sky And under that, there’s a big highway I know I’m gonna go, but I don’t know why Fortuneteller Sue says that I gotta find you first. Oh, I’ve been walking through Encino Just hoping that I’d bump into you Everybody says you’re seeing some lawyer Who’s living down on Barrington Avenue. All I know is there’s a big blue sky And under that, there’s a big highway I know I’m gonna go, but I don’t know why Fortuneteller Sue says that I gotta find you first. Oh, Jeanne’s working in the coffeehouse And Lindsay’s at home with the flu And if it wasn’t for all my idle time I don’t think I’d think twice about you. All I know is there’s a big blue sky And under that, there’s a big highway I know I’m gonna go, but I don’t know why Fortuneteller Sue says that I gotta find you first.
2.
Growing up in Southern California I am used to the Bermuda grass Always seems to creep up on you When you’re trying to walk along the overpass You gotta watch where you are walking 'Cause it likes to cover broken glass And you’ll end up bleeding for the teacher When you get to Monday morning class. You can touch my hand, but don’t touch my heart You’ll take it and you’ll turn it away. Every time I walk away she comes back again. Sitting underneath the silver silhouette of someone that I tried to be Wandering the wild world of wonder of a woman in her misery Following the footsteps of a feeble-hearted fellow in a fantasy Trying to tell the tired and the tainted and the tortured that this isn’t me. You can touch my hand, but don’t touch my heart I’ll take you and I’ll turn you away. Every time I walk away she comes back again. Well, I see it in you now You got addicted I see it in you now You’re addicted You’re addicted, baby.
3.
Mess 03:30
Sally turns her headlights on, sits in the car till dawn Waiting for Sam to come home Sam sits in Sharon’s room wearing her best perfume Crying upstairs all alone Sharon’s on the 405, she’s barely half alive Sirens turn the night into stone. And I say whoa Lian’s in the apple tree laughing down at me And I say whoa She could calm my misery It’s something that she chooses not to do I’m such a mess for you. Climbing the stairs tonight, counting the city lights High school ghosts flicker, then fade She’s become incredible, I’ve become forgettable Work for the week, then get paid. And I say whoa Lian’s in the balcony throwing stones at me And I say whoa She turns this spotlight into a solitary blue I’m such a mess for you. Whoa, she could be anywhere anything Whoa, she could be everywhere everything Turning this heart into blue skies appearing now Turning this heart into voices I’m hearing now Turning this heart into nothing at all I said whoa Lian’s in the LSD melting down on me And I say whoa She creeps up silently, then tears me into two I’m such a mess for Whoa Lian’s in the apple tree laughing down at me And I say whoa She could calm my misery It’s something that she chooses not to do I’m such a mess for you. Recorded at Proving Ground Studio and DDG Recording
4.
Kris Mussday 03:17
You are sweet as an apple You are sweet as Christmas Day.
5.
Gina and I used to sit by the radio And waste away the dead Canoga Park nights We dreamed that one day we’d be on the radio We’d sound so black, no one would know we were white. Gina and I used to rip apart the radio We knew we could put every artist to shame And no one doubted we’d make it on the radio Our friends said we’d better start changing our names. Chorus Gina’s electric suicide She pulled the trigger and blew the doors open wide Gina’s electric suicide She cut the single that no DJ could deny Everyone wants to be on the radio Everyone wants to be on the radio I’m a mess without your love. Gina and I used to sleep by the radio We’d dream to Bowie in my big brother’s shack We prayed to God that we’d make it on the radio Holy angels spinning all of our tracks. Chorus And now Gina is all over the radio I got a 9-to-7 as an ad man Sometimes my bosses, they listen to the radio I try to avoid it whenever I can. Chorus
6.
The summer sun that had turned my pale skin red The REM songs spinning inside my head They slowly fade away. The jellyfish that were dying in the sand The beach strolls that were taken hand in hand They slowly fade away. And I feel like seven years have slipped away Seven miles crawled between right now and yesterday The nights were long Now they’re gone far away. The sound of your voice whispering in my ear The words that said you would come back every year They slowly fade away.
7.
I am mulling over songs and poems stolen from New England She hitched a ride with Danny and left me in L.A. making other plans. Chorus These unnecessary days are killing me so These unnecessary days come creeping in And I slowly fade away. I hear the leaves are turning brown and red and gold all over New England She went to see the doctor and he said I should start making other plans. Chorus But me, I don’t say nothing I just tiptoe lightly I wish I could do something Besides bleeding for some girl who writes me Songs and poems that someone in her family stole from New England She hitched a ride with Danny and left me lost and scattered in the hills. Chorus
8.
I’m messing with my phone jack, dressing up in all black Going through my record rack to get my muse back Sick of playing second fiddle to a middle-of-the-road band That ain’t got no plan and only family for fans but But what’cha gonna do when you’re through with Trying to pursue who should be coming after you She’s a femme fatale, Panama Canal A hard-working gal who can’t be bothered with me now. Packing up my suitcase, moving to a new place Where they don’t know my face, such a disgrace All this talent is wasting away Every day I pray someday someone’ll take me away But they never do and I guess it’s true If you don’t look for something it’ll never come to you So I’m heading out of town to find my long lost sound I’m off the ground homeward bound never am I coming down. Chorus I think I’m falling off the earth again I forgot what my life is worth again. I think I’m falling off the earth again Don’t think I’m ever coming back again. I remember way back when I was just ten I would find Zen When I would pretend that I was an alien I would run around and chase every face for a trace of my race Just a lost space case I was And still I try, I search the sky For an ally who will take me bye-bye From the femme fatales, Panama Canals Them hard-working gals that can’t be bothered with me now. Chorus
9.
The night I saw God I was terminally ill I was licking plug sockets just looking for a thrill I was driving on the wrong side of the road With a bomb in my brain I was dying to explode I was aiming for the cliffs when an angel showed me how to The night I saw God I had given up hope I was standing on chairs and tying up ropes Had my mouth full of Juicy Fruit and Listerine But every girl I knew was in a porn magazine Till an angel showed up in a stretch limousine and gave me The night I saw God I was dying in bed There were nurses and curses fighting inside my head There were viruses in me that nobody could pronounce I saw the Reaper in the corner, he was waiting to pounce They was gonna pull the plug when an angel announced I needed
10.
The night I was abducted I told the flight crew Go floating over you Go floating over you Down Lower Manhattan Up 5th Avenue I’m floating over you I’m floating over you Sifting through the rubble Searching for words to say For words to say When I go floating over you I go floating over you Baby, you know it’s true I go floating over you I go floating over you Baby, you know it’s true. Out of a sea of ashes Into a sky of blue I’m floating over you I’m floating over you. All our hopes and sorrows All them dreams we knew They’re floating over you They’re floating over you. When you’re walking wounded You’re out of words to say Of words to say I’ll go floating over you I’ll go floating over you Baby, you know it’s true I go floating over you I go floating over you Baby, you know it’s true.
11.
Come My Way 01:42
As I sit here alone tonight Someone is realizing me As I sit here alone tonight Someone is criticizing me And I’m waiting for you to come my way.
12.
Joshua Path - Guitar
13.
When I 02:55
When I think of you, I do Do I feel like I’m flying in carrion skies? Do I feel like I’m dying in judy blue eyes? When I think of you, I do When I sing for you, I do When i dream for you, i do Do I feel like I’m bound for oceans of stars? Do I feel like the sound of Nick Drake’s guitars? When I think of you I do.
14.
She’s got it down The way she moves The way she tries The way she turns for you. She’s got it bad It’s in her eyes It’s in her smile And the way she turns for you. Wake up and I crawl into the shower Clean the scars I got from storming your tower The day is gray and milk has turned sour Nothing’s gonna keep since the city lost power Heading down to Washington Gonna spend the day writing ‘bout oblivion And oh the way I turn for you. She’s got it hard The way she walks She never smiles Until she turns for you. Sitting down in the Baltimore lobby Suicide songs from the 80’s playing softly Nothing to do except finish my coffee And wave the butterflies from the sugar fields off me I’m heading down to Delaware But I don’t think I’m gonna find you anywhere And oh the way I turn for you. She’s got that spark That morning glow You’ll never know The way she turns for you. Step away from the moon shining brightly Rhythms in the cars bounce through my room lightly The same faces knock on my door nightly I hide inside the dark till they fade away quietly I’m heading down to the Southern Sea ‘Cause I know you’re never coming back to me And oh the way I turned for you.

credits

released January 1, 2003

Produced by Joshua Path and Curt Piar

All songs written by Joshua Path
©2003 Mad Mogi Music (BMI)

Proving Ground Studio engineered by Curt Piar
DDG Recording engineered by Dan Garza
JE Sound Productions engineered by John Goodenough
3rd Path Creative Group engineered by Stephen Epstein

Mixed at Proving Ground Studio by Curt Piar
Mastered at Capitol Records by Mark Chalecki

Art direction and illustration by Adam Gordon

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Joshua Path Los Angeles, California

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